Vale lembrar que este blog não pretende de qualquer forma prejudicar bandas, artistas ou gravadoras, pelo contrário o objetivo é sempre divulgar e compartilhar diversão, cultura e educação.
Então se de alguma forma você se sentir prejudicado pelo blog, solicito que envie um email para (progrockcontramao@hotmail) que prontamente deleto o material escrito ou link. O mesmo vale para pedidos e sugestões.
Todos os álbuns aqui postados foram adquiridos de forma legal em vinil ou cd, em lojas especializadas, sebos ou com amigos e sugiro que após ouvir algo que goste procure comprar o original.
Divirtam-se e aproveitem o espaço que é nosso.
Remember that this blog is not intended in any way injure bands, artists and record labels, rather the goal is to always disclose and share fun, culture and education.
So if somehow you feel harmed by blog, please send an email to (progrockcontramao @ hotmail) that promptly delete the written material or link. The same goes for requests and suggestions.
All albums posted here were purchased legally on vinyl or CD, in specialty stores, book stores or with friends and I suggest that after you hear something you like try to buy the original.
Have fun and enjoy the space that is ours.
Para os Krautmaniacos
Visite meu novo blog totalmente dedicado ao Krautrock, divirta-se! Curta, comente, compartilhe!
Visit my new blog devoted entirely to Krautrock, enjoy, comment, share!
quarta-feira, 9 de novembro de 2011
Dejan Terzic - 2007.Underground Continuum (Jazz Rock-Fusion • Bavarian)
Drummer Dejan Terzic is one of a couple of handfuls of young musicians living in Germany who have begun to make their presence felt on the world jazz scene in the last decade. The reason for this abundance of budding world class talent taking root and flourishing in the German jazz soil is a theme for the jazz historian - but the fact is that Germany has become fertile ground for contemporary jazz. Dejan was born in Banja Luka in what was then Yugoslavia. His Serbian family moved to Germany when Dejan was 3 years old. He began playing piano at the age of 6, and took up drums at 12, playing art first in rock and funk groups. His induction into the world of jazz came through the back door. Listening to Sting's album "Bring On the Night", he was grabbed by the playing of pianist Kenny Kirkland and saxophonist Branford Marsalis. It was at this point that his exploration of the world of jazz began in earnest. In the summer of 1991 Terzic journeyed to the Vermont Jazz Center, run by the legendary Hungarian guitarist Attilla Zoller. Attilla proved to be a major influence on Dejan, encouraging him, and clueing him in on the subtleties of group dynamics and improvisation. During the same summer Terzic became a member of New York's Drummer's Collective, where he studied with among others, Marvin Smitty Smith and Bill Stewart. Back in Germany, Dejan began studying at the conservatory in Wurzburg where he met up with drummer Bill Elgart, one of the most original creative players on the scene. Terzic's comment was, "...he brought me to some really different stuff..." The next few years were hectic ones, filled with studies and gigs. His playing began to catch the ears of both musicians and the public - and his playing began to gather in the prizes - Young Bavarian jazz Lion 94/95, Best Drummer, Krakow festival 94, Best Drummer, Leipzig Festival 95, Best Musician, Internatiohttp://www.blogger.com/img/blank.gifnal Jazz Festival Oberkochen, 95. Nuremberg Cultural Prize, 97. Fonte