Anna Själv Tredje is a classic electronic duo from Sweden, with strong influences in the entire Berlin School electronic music adaptation, with several other characters of music being an artificial art and with the taste to steep all the fine touches and typesets into an original obscure (though dappled) style. The two musicians started the music work around 1976 and stood firm in the experiment till 1979, when the duo disbanded. Very rare (and unprinted enough, once the years settled on the dust) but properly impressive, their sole composed and released album, Tussilago Fanfara, stands for meta-inspiration, expansive electronic and experimental dark sensations. The duo consists of Ingemar Ljungström and Mikael Bojen. Afterwards the split, Ingemar Ljungström also played in Cosmic Overdose (from 1977-1981) or Twice A Man, bands that used, sortly, experimental synth / post-punk nuances with sometimes vocals in Swedish.Mikael Bojen worked on even more popular tendencies.
The combination of the music, the style and the electronic influence/presence can be diversified, well enough, into different movements and appointments. A Swedish krautrock extension or impulse isn't far (but neither ever fundamental); the recordings and the precision of this electronic band are vastly in the auspices of some mid-classic experiences from Klaus SCHULZE, either from the soft touches of Moondawn or the entirely accurate Mirage minimal findings. The tiny "modern" experiments lead to something between ambient winds, cosmic surround and hypnosis of sound-fragments. Minimalism is a trademark improvised in ubiquitous expressions, reaching the post-influence of Peter Michael HAMEL, REICH or RILEY, but also some acoustic and synth-dynamic characteristics of meditation (most commonly, GLASS being appointed). Between there is the occupied synthesizing attitude, there's the sound-unveiling, there is an organ profusion or some small guitar works, made by Bojen in a tranquil and atomic way. The concept and contrast of sequencing resembles some late 70s ASHRA glance as well. Lastly (and really the last to be considered), TANGERINE DREAM's resembling electronic tempo, the space jams offbeats of the music evolve to a distant distinction. The Tussilago Fanfara project is prolific, deep but not hollow, intrinsic but never too mindless, exploring electronic music of the classic School, but also of the new-performance experimentalism. Infos by ProgArchives
1. Mossen (7:20)
2. Inkomster Utanfφr Tiden (11:28)
3. Den Barbariska (14:13)
4. Tusen εr & Sju (8:32) (Audition QU)
Line-up/Musicians
Ingemar Ljungström - Keyboards, synthesizers
Mikael Bojen - Keyboards, Synthesizers, electric guitar
Senha/Password:
contramao
ou/or
contramaoprogrock.blogspot.com
Nenhum comentário:
Postar um comentário