Vale lembrar que este blog não pretende de qualquer forma prejudicar bandas, artistas ou gravadoras, pelo contrário o objetivo é sempre divulgar e compartilhar diversão, cultura e educação.

Então se de alguma forma você se sentir prejudicado pelo blog, solicito que envie um email para (progrockcontramao@hotmail) que prontamente deleto o material escrito ou link. O mesmo vale para pedidos e sugestões.

Todos os álbuns aqui postados foram adquiridos de forma legal em vinil ou cd, em lojas especializadas, sebos ou com amigos e sugiro que após ouvir algo que goste procure comprar o original.

Divirtam-se e aproveitem o espaço que é nosso.
Márcia Tunes
Remember that this blog is not intended in any way injure bands, artists and record labels, rather the goal is to always disclose and share fun, culture and education.

So if somehow you feel harmed by blog, please send an email to (progrockcontramao @ hotmail) that promptly delete the written material or link. The same goes for requests and suggestions.

All albums posted here were purchased legally on vinyl or CD, in specialty stores, book stores or with friends and I suggest that after you hear something you like try to buy the original.

Have fun and enjoy the space that is ours.
Marcia Tunes

Para os Krautmaniacos

Visite meu novo blog totalmente dedicado ao Krautrock, divirta-se! Curta, comente, compartilhe!

Visit my new blog devoted entirely to Krautrock, enjoy, comment, share!

quinta-feira, 12 de março de 2009

Anna Själv Tredje - Tussilago Fanfara (1977) (Progressive Electronic) (Sweden)

Anna Själv Tredje is a classic electronic duo from Sweden, with strong influences in the entire Berlin School electronic music adaptation, with several other characters of music being an artificial art and with the taste to steep all the fine touches and typesets into an original obscure (though dappled) style. The two musicians started the music work around 1976 and stood firm in the experiment till 1979, when the duo disbanded. Very rare (and unprinted enough, once the years settled on the dust) but properly impressive, their sole composed and released album, Tussilago Fanfara, stands for meta-inspiration, expansive electronic and experimental dark sensations. The duo consists of Ingemar Ljungström and Mikael Bojen. Afterwards the split, Ingemar Ljungström also played in Cosmic Overdose (from 1977-1981) or Twice A Man, bands that used, sortly, experimental synth / post-punk nuances with sometimes vocals in Swedish.Mikael Bojen worked on even more popular tendencies.

The combination of the music, the style and the electronic influence/presence can be diversified, well enough, into different movements and appointments. A Swedish krautrock extension or impulse isn't far (but neither ever fundamental); the recordings and the precision of this electronic band are vastly in the auspices of some mid-classic experiences from Klaus SCHULZE, either from the soft touches of Moondawn or the entirely accurate Mirage minimal findings. The tiny "modern" experiments lead to something between ambient winds, cosmic surround and hypnosis of sound-fragments. Minimalism is a trademark improvised in ubiquitous expressions, reaching the post-influence of Peter Michael HAMEL, REICH or RILEY, but also some acoustic and synth-dynamic characteristics of meditation (most commonly, GLASS being appointed). Between there is the occupied synthesizing attitude, there's the sound-unveiling, there is an organ profusion or some small guitar works, made by Bojen in a tranquil and atomic way. The concept and contrast of sequencing resembles some late 70s ASHRA glance as well. Lastly (and really the last to be considered), TANGERINE DREAM's resembling electronic tempo, the space jams offbeats of the music evolve to a distant distinction. The Tussilago Fanfara project is prolific, deep but not hollow, intrinsic but never too mindless, exploring electronic music of the classic School, but also of the new-performance experimentalism. Infos by ProgArchives

1. Mossen (7:20)
2. Inkomster Utanfφr Tiden (11:28)
3. Den Barbariska (14:13)
4. Tusen εr & Sju (8:32) (Audition QU)


Ingemar Ljungström - Keyboards, synthesizers
Mikael Bojen - Keyboards, Synthesizers, electric guitar


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