Repost - Gnidrolog - Live (1972) (Progressivo, Jazz Rock)

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A banda foi fundada em 1969 pelos irmãos gêmeos Colin e Stewart Goldring (o primeiro já reconhecido por sua participação no clássico The Yes Album), o baterista Nigel Pegrum que veio do Spice (a banda que mais tarde iria tornar-se Uriah Heep), o baixista Peter "Mars" Cowling, o vocalista John Earle e a pianista Charlotte Fendrich. Eles criaram o estranho nome da banda ao inverter e levemente reorganizar o sobrenome dos irmãos. Em 1972 eles lançaram seus dois primeiros álbuns, In Spite of Harry's Toe-Nail e Lady Lake, antes de encerrar a banda devido a falta de sucesso comercial. Apesar de ter realizado turnês com bandas conhecidas como King Crimson, Gentle Giant, Wishbone Ash, Soft Machine, Colosseum e Magma em sua breve carreira, eles sempre permaneceram relativamente obscuros.

Após o final da banda, Nigel Pegrum juntou-se ao Steeleye Span, enquanto que os irmãos Goldring formaram a banda de punk rock Pork Dukes em 1976 e mais tarde tornaram-se músicos de estúdio, assim como fizeram os outros integrantes. Após 27 anos, eles reuniram-se em 1999 e lançaram o seu terceiro álbum de estúdio intitulado Gnosis em 2000. Peter "Mars" Cowling começou a trabalhar com Pat Travers em 1975, e conseguiu obter uma dose considerável de sucesso durante sua longa relação com Travers.

Recorded live in Birmingham on July 10, 1972

CD bonus track recorded live in Aylesbury on July 8, 1972
Musicians

Stewart Goldring, lead guitar, vocals;
Colin Goldring, lead vocals, guitar, sax, recorder, tenor horn, harmonica;
Nigel Pegrum, percussion, flute, oboe;
Peter Cowling, bass guitar, cello;
John Earle, alto, tenor, baritone and soprano saxes, flute, vocals
Tracks

Intro / Any Use in Living (9.16)
I Could Never Be a Soldier (12.34)
Time and Space (7.23)
Meanwhile Back at the Office (4.23)
(or The Continuing Story of Peter)
My Mother (Christmas Song) (9.37)
In Spite of Harry's Toenail (13.27)
(Goodbye - Farewell - Adieu / Harry's Toenail)
Sixpence for a Handstand (8.28) Bonus Track

Smak - Same (1975) Jazz Rock/Fusion • Yugoslavia

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Radomir Mihajlovic Tocak - guitars
Slobodan Stojanovic - drums
Zoran Milanovic - bass
Boris Arandjelovic - vocals
Lazar Ristovski - keyboards


1. Perle (4:04)
2. Mracni mol (3:21)
3. Blues u parku (7:31)
4. Biska 2 (4:28)
5. Put od balona (Biska 20) (19:00)

Korni Grupa / Kornelyans - Not An Ordinary Life (1974) · Jazz Rock/Fusion (Iugoslávia)

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Em 1972, o grupo lança seu primeiro álbum, chamado “Korni Grupa”. Oficialmente, este foi o quarto trabalho de música progressiva feito na Iugoslávia. Muitas pessoas tratam esse debut como uma obra-prima do gênero, com um jazz prog/fusion liderado pelos virtuosos Kovac, Bocek e Pejakovic.

“Not An Ordinary Life”, foi o segundo trabalho do banda, gravado na Itália, em 1974. Já se chamavam Kornelyans. Um excelente álbum, mantendo o nível do anterior. Discaço, altamente recomendado!

- Kornelije Kovac / keyboards
- Josip Bocek / guitar
- Bojan Hreljac / bass
- Vladimir Furduj / drums
- Zlatko Pejakovic / lead vocals



1. Rising
2. Not an Ordinary Life
3. Generation 1942
4. Fall off the Land of Women
5. Temporary Parting
6. Man with a White Flag

Passo a passo pra baixar do provedor russo pra quem esta tendo dificuldade

Emergency - Entrance (1972) (Germany) (Krautrock/Jazz Rock/Fusion/Progressive Rock))

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-Hanus Berka/saxophone, flute, keyboards, mellotron
-Frank Diez/Guitar
-Otto Bezloja/bass
-Jiøí Matousek/keyboards
-John Redpath/drums, vocals,
-Curt Cress/ drums

1. Why Am I Doin' It (7:50)
2. Happiness (7:00)
3. Journey (7:30)
4. Emergency Entrance (11:20)
5. Killin' Time (10:20)

Varis - Same (1979) (Jazz Rock) (Germany)

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Adoro a cena Alemã dos anos 70, isso todo mundo que vem aqui e me conhece sabe, enjoy!

01 - Flink
02 - Ophelia
03 - Ostinato
04 - Moonlight Voice
05 - Superpono
06 - Anno 77
07 - Locus Solus
08 - Ralfi Rock Einmal

- Ralf Pallmann, b, e-b
- Bjorn Gogolf dr
- Karl-Heinz Engelhardt, ta as, fl voc
- Andrey Hiebarolf, g
- Marlin Shaclow e-p

Arakontis - Live at the Quasimodo (1981) (Germany) Fusion

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Fusion da melhor qualidade, este é um daqueles discos que não se acha nenhuma referencia na web, nada que eu já não soubesse foi encontrado, queria fotos da banda e mais informações, mas não encontrei nada. Nem no youtube tinha nada, vou publicar uma canção no youtube amanhã e depois coloco aqui como palinha do álbum.

Apenas no New Gilbratar Encyclopedia of Progressive Rock e no RYM achei pouquissimas informações. Abaixo a resenha do Gilbratar:

Arakontis is a Berlin-based, rather nondescript, funky fusion band with rock leanings led by guitarist Michael "Willy" Wilke. Others on Live at the Quasimodo include 2nd guitarist Dieter Anker, Gerard Batyra (bass), Andreas Hommelsheim (piano, keyboards), Lutz Hafler (drums) and percussionists Tommy Goldschmidt and Michael Tybus. The only familiar name to me is Goldschmidt, who also percussed in the last edition of the Release Music Orchestra, and in Supersession (a jazz-rock big band active during the early 1980s). On Live at the Quasimodo, Arakontis is captured live on New Year's Day, 1981. The first track here is a dedication to Geroge Benson, and sounds like something off of his Breezin' LP. Fortunately, the rest of Live at the Quasimodo isn't nearly so lame - in fact most of it is OK, albeit somewhat inferior to similar German fusion bands of the time, such as Virgo, Aera, and the Release Music Orchestra. Actually, one of the pieces reminded me a bit of Pekka Pohjola's later, less complicated stuff (e.g. Urban Tango), and another 2 had me thinking of those Janne Schaffer LPs that got released in the US during the late 1970s. Bassist Batyra reinforces the Pohjola comparison with his excellent playing - he's possibly the band's strongest improvisor. Wilke is a pretty good jazz guitarist with heavy blues and rock leanings and a trebly, rough-hewn sound (Carlos Santana is a big favorite of his, evidently). Keyboardist Hommelsheim is an OK soloist in a pastoral, bluesy Bruce Hornsby-like mode, except when he hops on the mini-Moog for a few choruses. I like the fact that he eschews string synths entirely. This one's for fusion nuts only. -- Dave Wayne

Michael "Willy" Wilke (guitar)
Dieter Anker (guitar)
Gérard Batrya (bass)
Andreas Hommelsheim (keyboards)
Lutz Halfter (drums)
Tommy Goldschmidt (percussion)
Michael Tybus (percussion)

A1 Mr. G.B. 4:37
A2 Brasilia 7:12
A3 Dream On 6:43
B1 I Don't Know 5:38
B2 Piano Solo 3:49
B3 Dear John 4:57
B4 Short Cut 5:09

Syncrisis - Reflections In Musical Power (1981) Germany

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Este é o álbum de estréia deste grupo de Jazz Rock Alemão, lançado com tiragem limitada e de forma independente. Um excelente disco!

A1 Just a happy time
A2 Kamala
A3 Reflections
a) Wait a minute - a drum solo
b) Katharsis
A4 Daydreams
B1 Bata Mata Moone Taboo
B2 Mata Dalam, for the inside looking man
B3 One Hope
B4 Sweet nights

- Titus Köstler - Guitar
- Edgar Müller - Electric piano and mini-moog synthetizer
- Peter Frodi - Bass
- Uwe Holzwarth - Drums
Special guest:
- Armin Keller - Congas and timbales (A1 and B4)

Maneige - Libre Service - Self Service (1978) Canadá • Jazz Rock/Fusion

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- Alain Bergeron / flute, saxes, keyboards
- Denis LaPierre / guitars
- Yves Leonard / bass
- Vincent Langlois / piano, keyboards, percussion
- Gilles Schetagne / drums, percussion
- Paul Picard / vibes, xylophone, marimba, percussion

01. Troizix (2:36)
02. L'Envol des Singes Latins (4:30)
03. Les Péntocles (4:58)
04. La Belle et la Bête (3:29)
05. Bagdad (1:26)
06. Noémi (0:49)
07. Célébration (2:47)
08. La Noce (7:25)
09. Toujours Trop Tard (5:08)
10. Miro Vibro (5:47)

Skin Alley - To Pagham and Beyond (1970) UK (Jazz Rock/Fusion / Progressive Rock)

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- Thomas Crimble / bass, keyboards, vocals
- Nick Graham / bass, flute, keyboards, vocals
- Bob James / guitar, saxophone, flute
- Krzysztof Henryk Justkiewicz / keyboards, trumpet, vocals
- Alvin Pope / drums

1. Big Brother Is Watching You (6:52)
2. Take Me to Your Leaders (8:55)
3. Walking in the Park (6:51)
4. Queen of Bad Intentions (6:54)
5. Sweaty Betty (8:11)
6. Easy to Lie (5:22)

Skin Alley - same (1969) UK (Jazz Rock/Fusion / Progressive Rock)

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Formed in the fall of 68, Skin Alley turned professional when they signed to Clearwater Productions as managers (whom also handled High Tide, The Trees and a bit later Hawkwind), on word from an ex-member that was now in the firm. Gigging around regularly for free (concerts organized by their management firm) in order to find a following, this West-London quartet developed a different kind of rock that drew much from jazz and blues. Built around keyboardist Juskiewicz and part-time guitarist, but sax and flute player Bob James, Skin Alley had a distinctive sound, which made them stand out at the many free concerts they played. Having been spotted by the legendary John Peel, they recorded a BBC session for the Top Gear programme, which in the short term landed them a recording contract with the English branch of CBS. Recorded in November of that year, it was released in March 70 coupled with a non-album single. The critical acclaim and encouraging sales lead CBS to allow Skin Alley (who suffered the departure of Crimble during the recording and was partly replaced by ex-Atomic Rooster bassist Nick Graham) to release a second album, From Pagham And Beyond, later that same year.

For some reasons (the album was not as successful as the debut), CBS decided not to invest further in the band, and Skin Alley had to find another label, which took a while. It wasn't until early 72 that their third album was released on the small folk Transatlantic label (and amazingly enough, the soul Stax label in the US), but by that time Skin alley was a different band, drummer Pope had left the group, replaced by Tony Knight, and the SA had a much rockier approach aimed at the US, even enjoying some success with the track Skin Valley Serenade. Their third album Two Quid Deal offers much prog while they recorded the last album Skintight in Memphis, Tennessee (home of Stax Record), maybe a hint that they had axed everything towards America, because of its country rock flavours. They disbanded the following year and outside Graham, none were to make much waves in the music industry.

- Thomas Crimble / bass, keyboards, vocals
- Bob James / guitar, saxophone
- Krzysztof Henryk Justkiewicz / keyboards
- Alvin Pope / drums

1. Living In Sin (4:39)
2. Tell Me (4:37)
3. Mother Please Help Your Child (4:13)
4. Marsha (7:18)
5. Country Aire (2:15)
6. All Alone (8:11)
7. Night Time (5:32)
8. Concerto Grosso (Take Heed) (0:29)
9. (Going Down This) Highway (4:14)